Poetry is at the core of Maxim Brandt’s artistic language. Instead of words, he turns to objects—fragments of everyday life that hold personal resonance and symbolic weight. These found materials often seem to choose him as much as he chooses them, inviting a dialogue between the tangible and the imagined. From these encounters, images emerge—houses, forests, or surreal landscapes—that unfold like poems on canvas.

In Maxim’s practice, poetry and visual art intertwine into a single, evolving form of expression. By integrating everyday objects, he builds bridges between the familiar and the unfamiliar, transforming ordinary materials into carriers of memory and emotion. His works invite viewers to join this poetic journey, to look beyond surface beauty and discover their own reflections and associations within the images.

Nature, and especially the forest, plays a recurring role in Maxim’s art—not only as a setting, but as a living presence and a reminder of our interdependence with the natural world. The objects he incorporates often bear traces of human influence, revealing the tension between creation and consumption, beauty and decay.

Through his work, Maxim envisions a subtle utopia—a world in which humans, animals, and plants coexist in balance and mutual awareness. His art offers both aesthetic pleasure and a quiet invitation to reconnect: with nature, with memory, and with the poetry hidden in the everyday.